{"id":25094,"date":"2021-07-13T09:10:48","date_gmt":"2021-07-13T07:10:48","guid":{"rendered":"https:\/\/fimacf.com\/fima-diary\/bagni-e-culture-a-confronto-nelle-moodboard-di-lorenzo-damiani-e-kazuyo-komoda\/"},"modified":"2025-06-17T15:12:56","modified_gmt":"2025-06-17T13:12:56","slug":"bagni-e-culture-a-confronto-nelle-moodboard-di-lorenzo-damiani-e-kazuyo-komoda","status":"publish","type":"post","link":"https:\/\/fimacf.com\/en\/fima-diary\/bagni-e-culture-a-confronto-nelle-moodboard-di-lorenzo-damiani-e-kazuyo-komoda\/","title":{"rendered":"BATHROOMS & CULTURES IN THE MOOD BOARDS OF LORENZO DAMIANI & KAZUYO KOMODA"},"content":{"rendered":"\n
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<\/i>13\/07\/2021<\/span><\/div>\n \n
\n <\/i>\n Fima Diary<\/span>\n <\/div>\n\n <\/div>\n<\/header>\n\n

BATHROOMS & CULTURES IN THE MOOD BOARDS OF LORENZO DAMIANI & KAZUYO KOMODA<\/h1>\n\n\n

We asked Kazuyo Komoda and Lorenzo Damiani to each imagine, together with FIMA, a bathroom that would represent them and illustrate it
in a mood board.<\/p>\n<\/div>\n\n\n\n

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Defining a space by starting with its materials has always been Fima\u2019s preferred approach. Only a global vision of the combinations
and interactions between various products, colours and surfaces will allow you to keep the perception of the project coherent and to naturally achieve the desired effect. The two designers involved in this experiment are wellknown names on the international scene, and had participated in the cycle of Fima Talks last April. Among nuances and creative paths, two very strong but profoundly different design sensibilities emerged. While Lorenzo Damiani is Italian, Kazuyo Komoda is Japanese, but has lived in Milan for years. That comes across as experimentation, invention and a sense of responsibility towards materials and people on the one hand. And refinement, balance and meticulous attention to surfaces on the other. This leads to an interesting parallel between the two proposed mood boards, which, once again, brings out the infinite expressive potential of the bathroom and the importance of the choice of materials in its design.<\/p>\n\n\n\n

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CULTURAL REFERENCES & INSPIRATIONS OF THE PROJECT<\/h2>\n\n\n\n

The stylistic choices of Kazuyo Komoda clearly reflect her Japanese origins. But, it couldn\u2019t be any other way, given the cultural importance
of the bath in Japan, from the traditional ritual purification bath, Ofuro, to the more modern Sento or thermal baths. Here, therefore, in the mood board, you imagine complete spaces that express themselves, where you can spend time, keep precious objects, and enjoy delicate decorations. But also think of \u201cgreen\u201d spaces, with the inclusion of original Kokedama moss planting balls.<\/p>\n\n\n\n

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It\u2019s about a continuous exercise in seeing things from another point of view, modifying the functions of the objects, and coupling materials in order to express more clearly one\u2019s own design thinking. In this sense, the choice of inserting a \u201cthought out of context\u201d stands out in
the mood board, such as a jar of olives cut into rings as an accessory for the h20 washbasin. It\u2019s a paradigm to make people understand how \u201cby using small cut elements, the use of the raw material can be optimized\u201d. This theme of the choice of materials and giving value to waste is always very present in Damiani\u2019s projects.<\/p>\n\n\n\n

THE CHOICE OF MATERIALS FOR THE BATHROOM PROJECT<\/h2>\n\n\n\n

In common between the two mood boards is the inclusion of marble. But the interpretation and choice of composition speak, again in this case, of two completely different inspirations. Kazuyo Komoda gives us colours and textures with a specific type of warm-toned marble, that is, Portuguese pink onyx. She offers it up to us in alternation with a proposal even more focused on surface detail, marmorino, that is, recomposed powdered marble, made not with chemical additives but natural mixing elements, such as egg white or slaked lime. In this case, the spreading method and tools used influence the texture. It is, therefore, possible to obtain smoother effects or rougher surfaces that absorb light, acquiring almost a third dimension. Finally, Kazuyo Komoda combines frosted glass and mirrored walls with marble and focuses on light in search of the balance between materials and surfaces. Lorenzo Damiani chooses to contrast marble with stoneware, Carrara marble and Pulpis porcelain stoneware, to be precise. It\u2019s an unexpected combination that underlines two profoundly different but apparently similar
materials. It\u2019s a clear invitation to use \u201cnatural\u201d elements only where other \u201cnon-natural\u201d solutions would not achieve the same result. Even better if we give value to \u201cnon-whole\u201d parts, in order to reuse waste, which can always be precious. The idea is expressed in the mood board with the circular marble sculpture. It\u2019s an element composed of processing waste and scraps, modelled ad hoc to obtain a unique, new and fascinating object.<\/p>\n\n\n\n

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ELEMENTS & DECORATIONS TO DEFINE THE BATHROOM SPACE<\/h2>\n\n\n\n

To furnish and personalize the space, Kazuyo Komoda chooses patterns. These can be created from plaster decorations and arranged in a no sequential manner on ceilings and walls. Or graphical elements that animate frosted glass screens, dividing the bathroom into separate service areas. On these glass surfaces, you can clearly see the cultural contamination of the mood board, which combines the sandblasted glass typical of Milanese architecture of the 1930s with traditional Japanese prints. By Katsushika Hokusai, Kazuyo specifies. The bathroom has to be an intimate space, which expresses us through every element. Also through accessories, such as the early twentieth-century French crystals that the Japanese designer collects.<\/p>\n\n\n\n

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Lorenzo Damiani instead chooses material details and finishes to add nuances to the design. A brass object holder with a satin gold coating is placed next to a white plastic washbasin. A thin strip of chipboard, an off-cut, becomes a precious insert and decoration for the stoneware and marble wall. \u201cI have often sought harmony in contrasts\u201d, explains Lorenzo, who, by playing with paradoxes, obtains a mood board that investigates the expressive possibilities of materials, full of different ideas and facets.<\/p>\n\n\n\n

DOUBLE INTERVIEW TO THE DESIGNERS<\/h2>\n\n\n\n

A title for the moodboard?<\/strong>
K: A bathroom as a jewelry box
L: Possible thinking
A must-have element in the design?<\/strong>
K: Balance. There is no absolute protagonist, everyone is indispensable. The indispensability lies precisely in the harmony between the hybrid elements.
L: The olive jar, understood as a paradigm of a certain design attitude sensitive to the use of \u201cnon-integer\u201d elements.
A message to leave behind?<\/strong>
K: <\/em>To be oneself. The house should be a reflection of the life of those who live in it. One should not be afraid to mix different elements, because in space, as in life, everything cannot be simple and linear.
L: <\/em>Use materials and components without preclusion, maintaining a consistency of thought. Every material, if well worked, becomes valuable.
How do you imagine the element of water in your moodboard?<\/strong>
K: Water is an indispensable element, like light. It simply participates in balance<\/em>.
L: I think of tiny droplets oozing out of the marble composition.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Una moodboard per immaginare con FIMA l\u2019ambiente bagno ideale. Un parallelo che fa emergere l\u2019importanza della scelta dei materiali per definire il progetto.<\/p>\n","protected":false},"author":1,"featured_media":8136,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-25094","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nBATHROOMS & CULTURES IN THE MOOD BOARDS OF LORENZO DAMIANI & KAZUYO KOMODA - Fima - Carlo Frattini - Taps and Accessories made in Italy<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fimacf.com\/en\/fima-diary\/bagni-e-culture-a-confronto-nelle-moodboard-di-lorenzo-damiani-e-kazuyo-komoda\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"BATHROOMS & CULTURES IN THE MOOD BOARDS OF LORENZO DAMIANI & KAZUYO KOMODA - Fima - Carlo Frattini - Taps and Accessories made in Italy\" \/>\n<meta property=\"og:description\" content=\"Una moodboard per immaginare con FIMA l\u2019ambiente bagno ideale. 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